The telegraph made a three-pronged attack on typography’s definition of
discourse, introducing on a large scale irrelevance, impotence, and incoherence.
These demons of discourse were aroused by the fact that telegraphy gave a form
of legitimacy to the idea of context-free information; that is, to the idea that
the value of information need not be tied to any function it might serve in
social and political decision-making and action, but may attach merely to its
novelty, interest, and curiosity. The telegraph made information into a
commodity, a “thing” that could be bought and sold irrespective of its uses or
meaning.