Toolkit Theory or Toolbox Theory? The latter seems quite better.
I must also include the Pedagogy of the Oppressed in the paper as: Children who shape their own ZPDs and Toolboxes are essentially: For the Oppressed by the Oppressed.
The usual wisdom is not to be a consumer but make. Okay but when you build doesn’t it make you someone who needs consumers?
There is much that we can understand from the design of things and while the higher order of search means well in the holistic design of everything; it is quite different than other things I have. Search feels alien and it ruins things. And that is all about the idea of “Spatiality”. I do love Maestro Victor’s idea of big spaces and spatial and tangible feeling of things. But then there is the idea of connections and finding things:

With these things; one has a partial sense of where things are. The search however deprives a person of this.

In Waihona Ike there is no popup or hover information: There are arrows that show you connections without rearranging or modifying the space. Things are tangible and spatial. But then how can such a thing be realized in search interfaces?
This is hard to resolve. Spatial understanding of data; makes possible for the person to internalize the data. One internalizes a book by reading it and it is not expected of anyone to locate things in a body of linear text.
All the great work of the previous people on interfaces has been to make possible the search for information. One can find the placement of information in a PDF but not a physical book. And this is a huge progress. Yet that itself is not in the human nature. Language conveys information coming from a network of Embeddings in our minds. How can such a thing re-enter our brains? How can we ask for concepts? LLMs they see Vectors and can understand. But they too do not help with spatiality.

What if it draw maps; connections; paths; spaces that made you see the spatiality of the data? This would be incredibly hard to make for the Waihona Ike. But what if I could have made it?

Kamwa at home with me
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Now I want to thank you and your sisters for the money that you gave me for the trip. When I left you for Glazunov’s it suddenly occurred to me that now I would have to ask him to lend me some money. The thought of this horrified me. I couldn’t have asked him, even if I didn’t have your money in my pocket. My tongue would have been tied…
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You’re right, Nikita S.! Now I played the first part of my concerto, and just now it became clear that the transition from the first theme to the second will not fit, that in such a way the first theme doesn’t have a first theme, but an entry, and that not one idiot would believe, when I begin to play the second theme, that this is exactly the second theme. Everyone will think that this is the beginning of the concerto. In my opinion, I’m just desperate! And why did you come to me with your analysis five days prior to the performance of this concerto?
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Tomorrow, February 1, at nine o’clock in the evening, Princess [