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ANNO·TRICESIMO·DIE·CENTESIMO·QVADRAGESIMO·QVARTO·VITÆ·POVYA
Imbecile cavemen. Be fucking silent in an office.
There’s a lot of difference in the very preserve text on paper and on a machine like computers. One is leaving a trace on a piece of sheet, the other interacting with a system with a machine. I guess that is why I cannot tolerate the machine any longer.
There is so much bad smell and noise in here. It is driving me crazy.
Fuck all the 🬎🬧🬬🬴🬖🬴. All of them.
Language Dialect of 1285
I want the writings of 1285 to be in a special dialect of Farsi. This dialect should be like what I have done with English:
- A special dialect designed from a curated selection of words. These words having no ties to the religious, and traditions of Iran. It is free from the cultural motifs of the country.
- This dialect is working as an environment in the sense of Dynamicland, Spatial Thinking, and the way I have externalized myself through my room. Its job is to be the environment that enables 1285 . It has to load:
- Our belief in beauty and harmony
- Our essence of romanticism, elegance, and greatness.
- The attention to detail.
- Rigor, structure, and attention.
- Self awareness.
- Morality, and understanding all the knowns of media theory.
- It should feel as if it is written by the citizens of the @nation-of-maestros.
- And it should be carry the “mashrooteh” style of literature, exactly as of 1285, this would be a whole different level of branding by having the DNA of our name infused into the language itself.
- The language itself has to be an anti-environment, something that immediately shows the receiver the graph being transferred is quite different.
Day's Context